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The Final Amen: Richard Smallwood Celebration of Life-A Symphony of Honor, Reverence and Musical Excellence

Sarah Hearn
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The Final Amen: Richard Smallwood Celebration of Life-A Symphony of Honor, Reverence and Musical Excellence

It was a cold, bitter morning, around 11 degrees, as people gathered outside the doors and sat quietly in their cars in the parking lot of First Baptist Church of Glenarden International in UpperMarlboro, MD. This was the day that friends, family, and admirers came to honor the life, legacy, and ministry of songwriter, composer, singer, and ordained minister Richard Smallwood.

Richard Smallwood’s casket at the front of the church during his Celebration of Life services on January 24, 2026 at First Baptist Church of Glenarden in Upper Marlboro, MD. (Photo credit: Alicia Butler-Adams)

The homegoing celebration, held January 24, 2026, was marked by reverence, musical excellence, and an unmistakable sense that this was not merely a service but a tribute for a man who has poured so much out through his song and poured in to others through his humility and kindness. Under the musical direction of Donald Lawrence, with choir direction by Anthony Brown, the music carried both weight and warmth, honoring a man whose life was informed by the classical, framed in the gospel genre, and always anchored in Scripture.

Smallwood Singer Dottie Jones sings “I Love the Lord” backed by Vision during Richard Smallwood’s Celebration of Life, January 24, 2026 (Photo credit: Alicia Butler-Adams)

Before he prayed the opening prayer, Stephen Hurd reflected on how Richard Smallwood had a mastery of  Scripture and music theory. “Even as we want to mourn and we want to cry,” he said, “we are rejoicing, because had it not been for a Smallwood song, some of us would not have learned our circle of fifths.” That remark evoked laughter for those who grasped the musical humor behind it.

Gospel artist Rev. Stephen Hurd delivers the opening prayer at the Richard Smallwood Celebration of Life, January 24, 2026. (Photo credit: Alicia Butler-Adams)

A very touching moment came when, after watching a video in which the maestro said he wanted his work to outlive him, clips of “Total Praise” being sung around the world flashed on the screen, with even Stevie Wonder playing the song on his harmonica. As many of the maestro’s songs were sung, Scripture appeared on the screens, reinforcing what everyone already knew about Richard Smallwood: these compositions were born of an intimate knowledge of the Word.

Maurette Brown-Clark sings “Angels” during the Celebration of Life for Richard Smallwood, January 24, 2026 (Photo credit: Alicia Butler-Adams)

Longtime collaborator Darin Atwater and the Soulful String Ensemble opened the musical journey with a classical selection, “Ormhelich, EsMahtew, and Prasoin”. The blend of strings and spirit set the right tone for the rest of the service.

In a tribute by Metropolitan Baptist Church, Pastor Emeritus Rev. Dr. H. Beecher Hicks Jr. reminded the attendees that Richard Smallwood believed the choir loft was holy ground. “Preparation itself was an act of reverence,” he said. “Through him, we learned that excellence is not elitism.” He also extolled his approach to song creation, “”Rev. Richard Smallwood understood that the song is not born out of convenience; it is born out of conviction.” 

There were letters from former President Obama and First Lady Michelle Obama, former President Bill Clinton and Hilary Rodham Clinton, former Vice President Kamala Harris, and other dignitaries. Tributes from family painted a picture of a legend filled with love and compassion. His foster sisters spoke of how, when it became necessary, Smallwood, still a college student, assumed guardianship and took them to school and appointments. Many fellow gospel artists were in attendance, including Kirk Franklin, Kurt Carr, A. Jeffrey LaValley, Byron Cage, and others. Songstress Valerie Simpson was also spotted in attendance.

Godson Tre Thomas recalled how his Godfather enjoyed the benefits of his celebrity but really just wanted to be “regular.” Smallwood also taught him to be honest and be a man of his word. Nephew, Robert Clements II. Richard was a sunshine to us. When he walked into a room, you felt his sunshine, his laughter, his humor.  “Outside of his music, his personality had a way of affecting you, and when you engaged with Richard, you never left the same.” Clements thanked everyone for coming and asked that attendees continue to pray for their family.

Actress Phylicia Rashad came to honor her Howard University schoolmate, a reminder of how far Smallwood’s influence reached. Rashad recalled that Smallwood was instrumental in founding the Howard Gospel Choir and the impact it had when it was formed. She recalled how, because of their different paths, he with music, she with the theatre, had not connected for a while. However, years ago, when she was going through a difficult time, someone shared Smallwood’s album, which contained “I Love the Lord.” She stated that the song helped her through tough times. Of his character, she said, Richard was so easy, so natural, so calm, so every day, so accessible, and yes, grand.” She called him “Sir Richard,” and the sanctuary erupted in applause.

Phylicia Rashad pays tribute to Richard Smallwood during his Celebration of Life, Jan 24, 2026 (Photo credit: Alicia Butler-Adams

Maryland Governor Wes Moore, accompanied by First Lady Dawn Moore, presented a plaque to the family. Gov. Moore said, “He was the soundtrack of our salvation. He was the one who could offer the soundtrack when we were having those moments of joy, and we were having those moments of pain.” The Governor went on to burst into song, singing an excerpt from the Smallwood classic, “Center of My Joy.”

Maryland Governor Wes Moore, accompanied by First Lady Dawn Moore, presented a plaque to the family during Richard Smallwood’s Celebration of Life, January 24, 2026 (Photo credit: Alicia Butler-Adams)

Former Metropolitan Pastor Maurice Watson delivered the eulogy, “Two Psalmists, One God,” drawn from Psalm 121, which was Smallwood’s favorite passage. Pastor Watson paralleled Smallwood’s life with that of David. He also spoke of Smallwood’s music being high enough to make the erudite sit up and listen,” Pastor Watson said, “but it was low enough to inspire and give hope to the common person.” In that single line, the genius of Richard Smallwood was eloquently captured.

Pastor Maurice Watson delivers the eulogy at the Richard Smallwood Celebration of Life, January 24, 2026 (Photo credit: Alicia Butler-Adams)

As the service drew to a close, pianist and Broadway conductor Joseph Joubert offered an instrumental arrangement of “Total Praise” that was both breathtaking and divine. Then came the grand finale: Vision and the Celebration Choir, comprising the Smallwood Singers, Metropolitan Baptist, Union Temple, and the Howard University Gospel Choir, sang “Total Praise,” the song written in 1996 that will certainly live on in perpetuity, as Richard Smallwood desired.

Vision and the combined choirs sing “Total Praise” during the Celebration of Life Services for Richard Smallwood, January 24, 2026.

As the maestro was wheeled from the sanctuary, Atwater and the Soulful String Ensemble returned with a final classical farewell: Bach’s “Jesus bleibet meine Freude” from Cantata BWV 147, followed by Rachmaninoff’s “Vocalise.” It was a fitting crescendo for a life filled with brilliance, humanity, and graciousness.

It was obvious that Richard Smallwood left his indelible mark. He was a man who believed that music, when done with excellence and undergirded by scripture, could change lives. He wanted his music to outlast his life. His spiritually rich and dignified Celebration of Life, filled with songs penned by the maestro himself, confirms that will long be the case for generations to come.

Someday I’ll leave this earthly dwelling, Through time and space my soul will soar
And finally see the face of Jesus. And praise that name forevermore ~”That Name”, song written by Richard Smallwood

To watch the Celebration of Life, visit: https://www.youtube.com/live/niIFVwnnxGE?si=A4dhRUHq2nnlTFq-

© 2026 PositivelyGospel.com, Sarah Hearn, All rights reserved. Photos courtesy of Alicia Butler-Adams.

Uniting in Song: Benefit Concert for Gospel Mainstay Ryan Vincent Ford Set for April

Sarah Hearn
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Uniting in Song: Benefit Concert for Gospel Mainstay Ryan Vincent Ford Set for April

In the heart of every community lies a rhythm, a melody that binds its people together in moments of joy, sorrow, and hope. For decades, one such melody has resonated through the streets and sanctuaries, uplifting spirits and nurturing souls — the music of Ryan Vincent Ford, a cherished member of the DMV gospel community. Now, as he faces health challenges, the community will rally together to support him and his family through a benefit concert on April 1 that promises to be a celebration of faith, love, and resilience.

Ryan Vincent Ford

Ryan Vincent Ford has been more than just a musician. Ryan has been a beacon of light, a source of joy, and a symbol of all that’s good and pure about gospel music with his effervescent smile and humility. His music has touched countless lives over the years, inspiring hope and healing.

But now, Ryan needs support and strength as health challenges have cast a shadow over his life, presenting obstacles that require medical attention. God has shown up mightily as he has continued to beat the odds and confound the doctors. As he continues to navigates this difficult journey, the DMV is standing by his side, ready to lift him up in prayer and song.

The event is spearheaded by Stellar Award winner Phillip Carter, who founded the DMV Musicians and Singers Fellowship. Carter shared this on his Facebook page: “The DMV Musicians and Singers community is a close-knit community with several components, but we know how to come together.”

The benefit concert promises to be an evening of soul-stirring performances and an affirmation of the power of music to heal, unite, and uplift. Those performing and participating include Jeremiah Hicks, Jerome Bell, Robert E. Person, Alexis Cook, Marvin McCoy, Mike McCoy, Phillip Carter, Evette Burrell, Capria McClearn, and Tynette and Family.
The event is spearheaded by Stellar Award winner Phillip Carter, who founded the DMV Musicians and Singers Fellowship shared this on his Facebook page: “The DMV Musicians and Singers community is a close-knit community with several components but we know how to come together.”

The concert’s goal is to raise $10,0000. Every contribution will serve as a lifeline and source of encouragement for Ryan, his wife Ebony, and their children, providing them with the strength and resources they need to overcome the challenges.
Join other well-wishers and supporters on April 1 as they come together as one community, one family, and one voice to support Ryan. The concert will begin at 7 p.m. and take place at Southern Friendship Missionary Baptist Church, 4444 Branch Ave., Temple Hills, MD.

Quartet Music Awards Hit All the Right Notes; Roy and Revelation Win Big

Sarah Hearn
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Quartet Music Awards Hit All the Right Notes; Roy and Revelation Win Big

The spirit of gospel music filled the room with power and purpose this past weekend as the Quartet Music Awards brought together some of the most celebrated voices in quartet tradition. The ceremony served not only as a showcase of musical excellence but also as a testament to the genre’s enduring legacy and evolving future.

Founded by CEO Connie Birth, the awards ceremony featured a dynamic range of performances that reflected the genre’s diversity. There were classic styles and soul-stirring arrangements, as well as more modern interpretations. Artists honored the pioneers of quartet music while also pushing creative boundaries, ensuring quartet music’s relevance for years to come.

Chrishon Smith and Jonas Ross served as the night’s hosts. Their witty banter kept the crowd laughing at times and praising God at others as Chrishon Smith shared testimonies. Backstage before the show, Smith said of quartet music, “We are singers by harmony, but quartet means it is a togetherness.”

Standout winners included Roy and Revelation, who took home two major awards, National Artist of the Year and QMA Artist of the Year. Their double win positioned them as one of the  highlighted their growing prominence within quartet music. Known for blending traditional quartet harmonies with a fresh, contemporary edge, the group continues to connect with audiences across generations.

Other winners included The Gospel Legends for Album of the Year, Willie Banks Jr. and The Messengers Male Quartet of the Year, and The Loving Sisters for Female Quartet of the Year. DJ Allen & Righteous were declared Emerging Artist of the Year. The Trailblazer Award went to George Dean and Flossy Boyd Johnson, and Favor were named Mixed Quartet Artist. Tim Thomas captured Promoter of the Year. During Friday’s Pre-Show, Patrick Johnson was named Content Creator of the Year, and Jonas Ross was Radio Announcer of the Year. The Sons of Promise was among the many groups on Friday that delivered electrifying performances. Saturday saw the Highway QCs gracing the stage with a powerful performance that was a reminder of why the group has stood the test of time for decades.

The night’s honorees included Harvey Watkins, Jr., Dr. Tiffanie “Tutu” Agee, Allen Pringle, Doc McKenzie, Ester Wooten, Luther Barnes, John P. Kee, and George Dean. One of the night’s most celebrated honorees was gospel legend Harvey Watkins Jr., whose influence spans generations. Taking a moment to reflect on his journey and the state of quartet music, Watkins spoke candidly about legacy and authenticity. “I do have a real legacy,” he said, before explaining how he continues to carry it forward: “Just be myself… and do the best I can. My dad told me that if I give God praise, I couldn’t lose.”

Honoree Harvey Watkins, Jr., accepts his award

Watkins’ remarks resonated deeply, particularly as he addressed the connection between seasoned artists and the new wave of quartet performers. Being honored at this stage in his career held special meaning. “This one makes me feel happy to know that these young folks still want to care for me… still want to acknowledge me and love on me,” he shared. His presence was a reminder that today’s sound is firmly rooted in the sacrifices and dedication of those who came before.

He also offered heartfelt advice to aspiring quartet singers, emphasizing the importance of spiritual grounding. “Make sure that God called you to do what you want to do,” Watkins said. “You’ll be better and more effective when you’re called.” His words underscored a central theme of the evening: quartet music is as much ministry as it is performance.

As the evening concluded, it was announced that Charlotte Mayor Vi Lyles had proclaimed April 25th as “Quartet Music Awards Day.” What a fitting touch to a night of excellence!

As the evening concluded with Paul Porter closing it out, the message was unmistakable: quartet gospel music is alive, thriving, and deeply rooted in faith. With trailblazers like Harvey Watkins Jr. still inspiring and newer acts like Roy and Revelation rising to prominence, the genre stands on a foundation that is both historic and forward-looking.

Update: Here is the full list of winners:

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WEMA 94.3 LP FM Launches as “The Community Soundtrack” with Landmark Cultural Partnership

Sarah Hearn
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WEMA 94.3 LP FM Launches as “The Community Soundtrack” with Landmark Cultural Partnership

Strategic Music Partnerships has officially launched WEMA 94.3 LP FM, branded as “The Community Soundtrack.” Broadcasting from Fort Washington, Maryland, WEMA represents a fresh, local voice at a time when many communities across the country are losing theirs.

WEMA is kicking things off with a major partnership, simulcasting the legendary WWOZ broadcast of the New Orleans Jazz & Heritage Festival, presented by Shell plc. For listeners, that means an immersive experience of one of the world’s most celebrated music festivals—right from their homes, cars, or phones.

Broadcast Schedule:

  • April 23–26 and April 30–May 3
  • 12 PM – 8 PM ET

You can listen live online or via the station’s app (Apple users can download now, with Android coming soon)

WEMA is powered by Strategic Music Partnerships, a nonprofit that has spent the past 15 years investing in people through music education and industry training. Their work has focused on teaching the foundations of the music business while staying deeply connected to the community they serve.

This station is a natural extension of that mission. At the center of it all is Henry Harris, a pioneer in internet radio and a longtime telecommunications professional. He leads as CEO of Strategic Music Partnerships and also founded the Excellence in Music Academy. With a master’s degree in Music Business from Berklee College of Music, Harris brings both industry expertise and a clear passion for community impact.

Across the U.S., traditional media is shrinking. Local newspapers are disappearing. Radio stations are consolidating. And in many places, the stories that reflect real communities are getting harder to find. That’s what makes WEMA’s launch so important.

It’s part of a growing resurgence in community media—spaces where local voices, culture, and information aren’t just included, but centered. WEMA steps into that gap with the goal of restoring something essential: storytelling that reflects the people it serves.

By pairing its debut with WWOZ’s globally respected Jazz Festival broadcast, WEMA is setting the tone early—this is a station committed to quality, culture, and meaningful partnerships. But just as important, it’s committed to its community.

WEMA 94.3 LP FM isn’t just another signal on the dial. It’s a platform for connection, creativity, and representation. It’s where local stories can live alongside world-class music. And it’s a reminder that even in a changing media landscape, community voices still matter—maybe now more than ever.

Sensere single, ‘After Tonight’ Breaks Into Top 20 on Billboard Gospel Radio Chart

Sarah Hearn
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Sensere single, ‘After Tonight’ Breaks Into Top 20 on Billboard Gospel Radio Chart

Sensere, everyone’s favorite Gospel/Soul band, has another radio hit on the way, as the band’s current single “After Tonight” enters Top-20 on Billboard’s Gospel radio chart.

Written and produced by Gerald Jones and Grammy award-nominated musician, producer, and bandleader James “Jdubb” Wright, “After Tonight” offers a refreshing, mid-tempo groove that reminds listeners that no matter what they are going through, brighter days are always ahead. “After Tonight” distinguishes itself with Sensere’s signature harmonies and flourishing horns that make the track more than a song to listen to, but a moment to experience.

James “Jdubb” Wright says, “We’re excited about how ‘After Tonight’ is being received. It’s the perfect song, especially as we approach summer; it’s an uplifting, feel-good song that we’re proud of, and we are happy for the radio support.”

Sensere recently brought its sound to Washington, D.C. as a featured performer for the Autism Speaks Festival produced by Indie Go Inspire. “Sensere was a huge reason why our event was a success. They brought the house down,” says Indie Go Inspire’s founder Patrice DeLisser. Sensere’s gift of music that fuses Gospel, soul, and R&B elevates any concert experience. We are thankful that they brought their gift to D.C. in support of the great work of the Autism Speaks organization.”

“After Tonight” is featured on the band’s fourth album Fred Hammond Presents: Sensere The Soul of Future Worship Vol. 2, released on Tribl Records/Wright Sound Music & Entertainment. It follows the success of “That’s God…LaLaLa,” which peaked at #2 on Billboard’s Gospel Radio chart and earned the band its first #1 MediaBase single.

GRAMMYS On The Hill Celebrates 25 Years Of Impact

Sarah Hearn
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GRAMMYS On The Hill Celebrates 25 Years Of Impact

To celebrate the champions of the music community and advance policy priorities that protect creators’ rights, the Recording Academy® is in Washington, D.C. this week for its GRAMMYS On The Hill® initiative. Marking a quarter-century of music advocacy this year, music’s biggest week in Washington brings together music creators, industry leaders, and lawmakers for three days of advocacy, celebration, and conversation from April 21—23. Assets from the week, including photos and videos, can be found here.

“GRAMMYS On The Hill represents the core of the Recording Academy’s year-round work to advocate for music people and ensure their rights are safeguarded in our culture,” said Harvey Mason jr., CEO of the Recording Academy. “As we mark 25 years of GRAMMYS On The Hill, we are reminded that music creators must remain at the center of every conversation shaping the future of the industry, especially as AI and other emerging technologies continue to transform it.”

On Tuesday, April 21, over 200 Recording Academy members, industry leaders and members of congress gathered at The Hamilton Live in downtown Washington, D.C., for the GRAMMYS On The Hill® Awards, which honored Sen. Chris Coons (D-DE) and Rep. María Elvira Salazar (R-FL) for their bipartisan work to protect musicians as artificial intelligence continues to reshape the music industry, including as champions of the Nurture Originals, Foster Art, and Keep Entertainment Safe (NO FAKES) Act, landmark legislation that would establish federal protections against unauthorized AI-generated replicas of a person’s voice and likeness. In addition to saluting this year’s honorees, the night featured several performances that commemorated 250 years of American music.

“Musicians are magic makers, finding the perfect harmony for every moment from our sorrows to our joys,” said Sen. Coons. “That work—that magic— deserves to be protected. Today, too many artists have had their intellectual property, likenesses, and livelihoods stolen by online pirates and AI artists. I’m proud to be spearheading efforts in Congress to safeguard your ideas and creativity because what you do cannot be replaced. As a Senator, I’ve had the opportunity to travel all over the world and have seen how American music helps people see us, understand us, and believe in our American dream. You connect us to the world and inspire it. That’s what I’m going to keep fighting for. Thank you for this honor.”

“I’m truly honored to be recognized by the Recording Academy, a distinction that underscores the vital role music creators play in shaping our culture and economy,” said Rep. Salazar. “At a time of rapid technological change, protecting the voices, rights, and livelihoods of artists is more important than ever. I remain committed to advancing policies like NO FAKES Act to ensure creators are respected, their work is protected, and their likeness is never exploited.”

This celebratory evening was followed by GRAMMYS On The Hill® Advocacy Day on Wednesday, April 22, which brought artists, songwriters, producers, and other music advocates to Capitol Hill to meet with lawmakers and discuss one of the most pressing issues facing creators today: the impact of artificial intelligence on the music community. As AI reshapes the music landscape, the Academy is advocating for policies that ensure human creators are protected, credited and fairly compensated. GRAMMY-winning and GRAMMY-nominated artists, including Durand Bernarr, Grace Potter, Israel Houghton, Maggie Rose, and Molly Tuttle , met with lawmakers, including Sens. Alex Padilla (D-CA), Bernie Sanders (I-VT), and Lisa Blunt Rochester (D-DE), along with Reps. Darrell Issa (R-CA), Erin Houchin (R-IN), Jason Smith (R-MO), Maxwell Frost (D-FL), Nathaniel Moran (R-TX), and Sydney Kamlager-Dove (D-CA) to discuss the importance of the NO FAKES Act, as well as the Transparency and Responsibility for Artificial Intelligence Networks (TRAIN) Act and the Copyright Labeling and Ethical AI Reporting (CLEAR) Act.

In addition to meetings with lawmakers, GRAMMYS On The Hill Advocacy Day included a roundtable briefing focused on AI and the future of music with Sens. Marsha Blackburn (R-TN) and Peter Welch (D-VT). The day concluded with a reception on Capitol Hill hosted by the Academy’s Black Music Collective, in cooperation with the Congressional Black Caucus, to honor the enduring influence of Black sound and its profound impact on American culture. The reception featured a performance by Durand Bernarr , as well as a special presentation from Amazon Music and the co-chairs of the Black Music Collective, who presented a $10,000 donation to Howard University as recipients of the 2026 “Your Future Is Now” music equipment grant.

GRAMMYS On The Hill concludes on Thursday, April 23, with the third annual Future Forum, a conference convening music creators, industry leaders, and policymakers for engaging discussions on the most pressing issues shaping the music industry. Future Forum will feature a keynote conversation with Harvey Mason jr. and YouTube Global Head of Music Lyor Cohen, exploring how the creative community and industry leaders can work together to face the challenges presented by artificial intelligence. Chair of the Recording Academy Board of Trustees, Dr. Chelsey Green, will lead a panel on the role of music education in preparing the next generation for the future. Other programming will include a panel presented with the Academy’s Producers & Engineers Wing® on how artists are using AI in the recording studio, and a discussion on how music builds up cities and communities across the United States.

Since its inception, GRAMMYS On The Hill has led to several major legislative victories for the music industry, including the landmark Music Modernization Act in 2018 and, more recently, the PEACE Through Music Diplomacy Act in 2022. Year-round, the Recording Academy’s Washington, D.C.-based Advocacy team mobilizes Academy members and music professionals from across the country to present a powerful lobbying force that fights for music creators’ rights at the local, state and federal levels.

Who Is DJ Allen? Inside the Life of a Rising Gospel Quartet Artist You Need to Know

Sarah Hearn
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Who Is DJ Allen? Inside the Life of a Rising Gospel Quartet Artist You Need to Know

It’s easy to see that DJ Allen & Righteous represent the new generation of Gospel quartets—but spend just a few minutes with them, and you’ll quickly realize they’re also carrying something much deeper: legacy. The young, family-based group, ranging in age from 13 to 20, is already making waves and earning recognition, including a nomination for a Quartet Music Award (QMA) for Emerging Artist of the Year. In addition to leading the group, DJ released his debut single, “The Good News of God,” last year.

Rooted in tradition yet driven by youthful passion, their sound reflects the influence of gospel greats while carving out a path of their own. Positively Gospel recently sat down with twenty-year-old lead singer Dionne “DJ” Allen to talk about his early start in quartet music, the impact of his late uncle, Bishop Kenneth Robinson, and the message he hopes to share through song. Joining the conversation was his “momager,” Tanisha Shumpert, offering insight into the heart behind the music and the journey ahead.

Q. Thanks for speaking with me, Dionne, and congratulations on the nomination! How did you get your start in quartet music?
DJ Allen: Every way they would go, they used to carry me around, so I started at the age of 7, and then it just goes on from there.

Q. Wow! There are many genres in gospel music, what led you to quartet?
DJ Allen: My family on both sides, my mom and my dad.

Q. What message do you want your music to deliver to listeners?
DJ Allen: I want to let the people know you can be young or old, it doesn’t matter. Just stay with God, you know that He’s your rock.

Q. As a quartet artist, do you think there are any unique challenges that quartet groups face today?
DJ Allen: Yeah, it’s several groups that are just going through it, and I’m just praying for them, you know.

Q. What would you say those challenges are?
DJ Allen: Stereotypes.

Q. Let’s talk more about that. Your mom, Tanisha Shumpert is also here with you. When you say quartet groups are stereotyped, what do you mean? And mom, please feel free to join in.
Tanisha Shumpert: I would say, you know, just looking at the outward appearance and not really knowing someone’s heart. DJ really started this early on, and a lot of times, you know, people think that being young, they’re not able to really have a heart for God or know what they’re singing about. DJ, he’s a very humble kid, and then you know he has a heart for God. He really loves God, where he’s not doing it for any type of competition. He just loves to do it. He grew up on Willie Neal Johnson, Lee Williams, and the Spiritual QCs because you know we all grew up in there, and he started it very young.

Q. Starting at seven, that’s about 13 years in the genre. Has there been a memorable performance or moment along your journey that stands out?
DJ Allen: Oh, yes, just staying with my uncle (the late Bishop Kenneth Robinson), we were at a lot of showcases and the GMWA. I think that’s enough, but I don’t remember some of the showcases that my uncle and I used to be on.

Q. You have my condolences. What are some of the lessons that will stay with you from Bishop Robinson?
DJ Allen: To just stay focused and just stay yourself.

Q. How do you choose the songs you decide to sing?
DJ Allen: My cousin and me, we just sit around and look at the songs together.

Tanisha Shumpert: That’s my nephew. His name is Kejuan Shumpert; he’s actually the son of my brother Leonard Shumpert. He sung with Lee Williams and the Spiritual QCs. He’s the musical director for the group. He wrote all the songs that we’ve sung actually. He wrote My Rocks and then we’ll get ready to actually release some new music and he wrote those as well.

Q. As an emerging artist, that title carries weight. What responsibility do you feel comes with it as you continue your journey?
DJ Allen: I think it means that it’s definitely something that I wanna keep doing this.

Q. What do you think the future holds for you, what’s next?
DJ Allen: There’s new music from me and new performances, so hopefully you know we follow in the footsteps of our family, you know Bishop Kenneth Robinson and chosen as well as Lee Williams and the Spiritual QCs. We just actually over the weekend performed one of their older songs over the weekend, and that was led by one of the original members, who really needed on the song is called “Call Him” so we were able to pay tribute to them at one of our shows over the past weekend. Hopefully, we will follow in the footsteps of the legacy that’s been placed before us.

Q. You started at seven, so you’ve had a 13-year career in quartet music. What keeps you committed to this genre?
DJ Allen: It’s just something I love to do. This is just wonderful.

Q. Do you have any upcoming tour dates?
Tanisha Shumpert: We’ll be at the stellar week, we should be performing a lot there. That will also be the week of DJ’s birthday. He’ll be turning 21, so it’s a very exciting week for us. We’ll be down in South Mississippi this coming weekend, and we’ll be in the Carolinas coming up. We have a lot of big dates coming up.

Q. How can readers connect with you?
DJ Allen: My Facebook is Dionne Allen On Instagram it’s djandrighteous. Our group’s Facebook page is DJ Allen & Righteous

Thank you, Dionne. It’s really been great talking with you, Dionne, and your “momager.”

EvoWorld is set to release new music from DJ Allen & Righteous later this year, signaling that this rising group is only getting started. With a growing list of tour dates and a highly anticipated appearance during Stellar Awards week in August, audiences across the country will have multiple opportunities to experience their music firsthand.
Blending youthful energy with a deep-rooted gospel heritage, DJ Allen & Righteous are proving that quartet music is not only alive, but evolving. Whether on stage or through their upcoming releases, one thing is clear: this is a group committed to honoring the past while inspiring the future. DJ Allen would have it no other way.

Review: Kvng David Ushers in a Worship Declaration with ‘Kings and Priests’

Sarah Hearn
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Review: Kvng David Ushers in a Worship Declaration with ‘Kings and Priests’

Kvng David is a Nigerian-born gospel vocalist, session drummer, and recording artist based in the United Kingdom, whose artistry bridges the rich worship tradition of the African church with the contemporary gospel sound taking root across Britain and the global diaspora. He recently released a powerful single.

Kvng David introduces himself with intention and clarity in his debut single “Kings and Priests,” a song that centers on one powerful truth—knowing who you are in Christ changes everything. From the very beginning, the song creates an atmosphere of worship rather than performance. Listeners are drawn into a space of reflection and declaration, where identity is not questioned but affirmed. There’s a steady confidence throughout the track that feels grounded rather than rushed, allowing the message to settle in.

The song focuses on identity through a spiritual lens. In a time when many are seeking validation from external sources, “Kings and Priests” redirects that focus back to God. It reminds listeners that their worth and purpose are already established, inviting them to fully embrace that truth.

Vocally, Kvng David delivers with a sense of sincerity that supports the heart of the message. His tone carries both strength and reverence, striking a balance that keeps the song rooted in worship while still feeling accessible to a wide audience.

The production complements the message well, blending contemporary gospel elements with a worship-driven sound that works in both personal and collective settings. It’s easy to imagine this song resonating not only through headphones but also in church spaces where declarations like this carry even greater impact.

The message in the song is clear, consistent, and intentional, and doesn’t drift from its central theme. That clarity is what gives the song its strength.

At its heart, “Kings and Priests” is a reminder that identity in Christ is not something distant but is present and active. The song communicates that when that truth is embraced, it transforms how we live, speak, and worship. Kvng David’s “Kings and Priests” is a meaningful and uplifting song that places identity and worship at the forefront. With a clear message and a worshipful tone, it stands as a strong debut, encouraging listeners to walk confidently in who God has called them to be.

Kings and Priests can be found on Spotify

TAUREN WELLS SET TO RELEASE NEW ALBUM MAY 1ST

Sarah Hearn
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TAUREN WELLS SET TO RELEASE NEW ALBUM MAY 1ST

On May 1st, eleven-time GRAMMY Nominee and multi-platinum selling artist Tauren Wells will release his fourth studio album, Breathe On It. The sixteen-song offering will feature Tauren’s the title track, “Breathe On It,” as well as “Thank You for the Cross,” “Bless Your Name” and the most recent single, “Sunday Morning” featuring Pastor Mike Jr. With Breathe On It, Tauren strove to capture the magic and community found in the church and enlisted guest vocalists including Phil Wickham, Hulvey, ECCOS, Samu Robles, Robert Angel, and Elevation Worship to create a project that invites listeners to trust God with what feels unfinished. Breathe On It is available for pre-save HERE.

Breathe On It Tracklist

  1. Serve The Lord
  2. The Church Is On Fire
  3. Breathe On It
  4. How Great (with Phil Wickham and Hulvey)
  5. Bless Your Name
  6. What A Miracle Feels Like
  7. Sunday Morning (with Pastor Mike Jr)
  8. Thank You For The Cross
  9. What’s Not In Heaven
  10. Here Comes The Church
  11. Canteremos (Que Cante La Igelsia) (Tauren Wells, ECCOS, Samu Robles)
  12. Not Guilty
  13. Joy In The Morning (with Elevation Worship)
  14. Making Room
  15. The Room Is Yours (feat. Robert Angel) 16. Let The Church Sing

Tauren Wells is a multi-platinum recording artist, bestselling author, and dynamic faith leader who has inspired millions through his music, message, and ministry. With 11 GRAMMY® nominations, eight GMA Dove Awards, seven #1 radio hits, and over 1.6 billion global streams, he has become one of the most influential voices in contemporary Christian music. In 2025, Wells released his debut book Joy Bomb: Unleash Jesus’s Explosive Joy for an Extraordinary Life, which quickly became a #1 Amazon New Release and ECPA bestseller, while his breakout single “Take It All Back” earned RIAA Gold certification and topped multiple radio charts. His RIAA-certified singles—platinum hits “Known” and “Hills and Valleys,” and gold singles “God’s Not Done With You” and “Famous For (I Believe)”—continue to resonate deeply with listeners. Known for blending gospel, pop, hip-hop, and R&B, Wells has collaborated with a wide range of artists from H.E.R. and Elevation Worship to Lecrae and Tobymac. Having previously toured with legends including Lionel Richie and Mariah Carey, he has captivated audiences worldwide and continues to lead both on and off stage.

Where Praise Meets Purpose: Derrick Bridges and Jeff Galmer Share What to Expect at the QMA Awards

Sarah Hearn
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Where Praise Meets Purpose: Derrick Bridges and Jeff Galmer Share What to Expect at the QMA Awards

Charlotte is set to become the center of a gospel celebration as the Quartet Music Awards® (QMA®) returns for its 4th annual awards show on Saturday, April 25, 2026. Known for bringing together some of the most powerful voices in quartet gospel, the event will welcome fans, artists, and industry leaders for a weekend filled with dynamic performances and well-deserved recognition. More than just an awards show, the event founded by Connie Birth promises to be an experience that highlights a genre deeply rooted in the church, continues to expand its reach to new audiences, and shines a spotlight on a new generation of artists.

In anticipation of this week’s events, Derrrick Bridges and Jeff Galmer share a few insights into the evolution of quartet music, the vision behind the awards, and what attendees can expect from this year’s highly anticipated event.

Q: How are the Quartet Music Awards different from other award shows?
A: The Quartet Music Awards were created by individuals deeply rooted in traditional gospel quartet music. Unlike other shows that may focus heavily on commercial gain, this platform is about honoring the culture and the people who built it. It’s about preserving the legacy while also recognizing growth in the genre.

Q: Quartet music has a long history. How do you think it has evolved over time?
A: It has evolved in many ways. We now have what we call a “new wave” of quartet music. It brings a fresh sound and style, but it’s still built on the foundation laid by legends like Lee Williams and The Canton Spirituals. That foundation is what allows today’s sound to grow and elevate. Social media has also played a huge role. Artists from all over the world can now share their music instantly, which helps the genre expand even faster.

Q: How is quartet music reaching younger audiences today? Are there challenges?
A: I don’t really see it as a challenge. What you expose young people to is what they grow to love. Many young artists in quartet music today grew up in it. Also, younger audiences are connecting because they now see artists their own age performing. That relatability matters. Plus, social platforms like YouTube and Facebook are helping bridge gaps; people from different backgrounds and cultures are singing the same songs. It’s bringing people together.

Q: Do you think quartet music helps bridge cultural and racial divides? How is that being sustained?
A: Absolutely. Quartet music transcends race and denomination. One way we’re preserving that culture is through initiatives like the Quartet Music Awards themselves. We’re also working on building a foundation to ensure longevity. For example, we honor past contributors by naming awards after pioneers like Roy Wooten, an internationally known promoter. It’s about celebrating today while keeping the legacy alive and making sure those names are never forgotten.

Q: What defines “real” quartet music today?
A: Real quartet music is something that grabs your attention—not just with the beat, but with the message. Today’s production styles may include more instrumentation and modern sounds, but the heart of it is still in the lyrics. People have gone through more, so there’s more depth in what’s being written. The words are what truly connect and reach people.

Q: What can fans expect from this year’s Quartet Music Awards?
A: This is our fourth year, and fans can expect a wide variety of performances. We’ll have artists from Mississippi, Tennessee, Louisiana, North Carolina, and more. There’s also a newer element, what we call the “choir scene,” where a lead singer is backed by a full choir instead of just a few background vocalists. The beauty of this event is that you never know what you’re going to get.

Q: There’s also a themed “Greek Night.” Can you tell us about that?
A: Yes, the Greek theme is part of the weekend experience. Attendees can dress inspired by Greek gods and goddesses, or even represent Divine Nine-style college organizations. It’s something new for us; we’re stepping outside the box and making the event even more engaging.

Q: For someone new to quartet music, what artists or songs would you recommend before attending?
A: There are so many great artists. Some to check out include Roy and the Revelation, The New Converted Voices of Tupelo, The Stars of North Carolina, and Souls of Creation. Bishop J. Spurlock also has a new single out. But honestly, the best introduction is the experience itself. If you’ve never been to an event like this, you’re going to have an amazing time.

Q: What would you like readers to know as a final takeaway?
A: Our goal is unity. We believe we are better together. Quartet music is gaining recognition like never before, and we want to keep that momentum going. If we continue to support one another and work together, we can sustain and grow this genre for generations to come.

Q: How can people get more information or reach out with questions?
A: You can find me on Facebook and send a direct message. We also have official Quartet Music Awards pages on Facebook and Instagram, along with a website for more details.

Q: Any final highlights about the event weekend?
A: Yes! We’re introducing a Tiny Desk-style concert featuring Roy and Revelation, which is brand new this year. We’re also blending genres with a Southern Soul after-party concert on Saturday. It’s going to be a full weekend of music, culture, and celebration.

The Quartet Music takes place Friday, April 25, 2026, at Chosen City Church, 13925 Erwin Road, Charlotte, N.C. For tickets, visit www.the quartetmusicwards.com

A Tribute to Jacquie Gales Webb Is Coming This June: Celebrating Her Life, Voice, and 35 Years of Radio

Sarah Hearn
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A Tribute to Jacquie Gales Webb Is Coming This June: Celebrating Her Life, Voice, and 35 Years of Radio

In June, the community will gather for an unforgettable evening of honor, gratitude, and celebration: “Celebrating Her Life, Her Voice & 35 Years of Radio ” to recognize the extraordinary career and enduring legacy of Jacquie Gales Webb, a woman whose voice has become a cornerstone of gospel radio and cultural storytelling throughout the DMV region. The celebration will take place at First Baptist Church of Highland Park in Landover, Maryland, on June 26, 2026, at 7:00 PM.

The event is designed to bring together family, friends, colleagues, and countless lives she has touched over more than three decades. Jacquie Gales Webb has been far more than just a broadcaster. She has been a mainstay in the DMV gospel community and a passionate advocate for the music, message, and ministry it represents.

Through her longstanding presence on WHUR-FM, Gales-Webb has opened doors for Independent gospel artists, local choirs, and musicians trying to reach wider audiences and emerging voices. Many artists across the region give credit to Galdes-Webb as one of the first to recognize their gifts and provide a platform, helping to launch and sustain countless careers. Her influence is deeply woven into the sound and success of gospel music throughout the DMV.

While her roots remain firmly planted in the community, her influence extends far beyond it. Jacquie Gales Webb’s career is marked by national recognition and industry excellence, including A George Foster Peabody Award, an Alfred I. duPont–Columbia University Award, multiple Emmy Awards and nominations, and countless other accolades. It is more than fair to say her contributions have helped preserve the legacy of Black radio while elevating gospel music within the broader landscape of public media.

The upcoming tribute is more than a milestone event—it is a heartfelt expression of appreciation. Indeed, “Celebrating Her Life, Her Voice & 35 Years of Radio” offers an opportunity for the community to come together and honor a woman whose influence has shaped not only the airwaves but also the landscape of gospel music in the DMV and beyond.

The night will feature a dynamic lineup of Gospel Artists, and a special DMV Super Choir made up of singers and artists from across the region. Anyone interested in being a part of the DMV Super Choir can email rufus59@yahoo.com.

Additional information will be available in the near future.

L.A. Times Festival Of Books With Lionel Richie, Stacey Abrams, Blair Underwood, Garcelle Beauvais, Jurnee Smollett, Tina Knowles and more

Sarah Hearn
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L.A. Times Festival Of Books With Lionel Richie, Stacey Abrams, Blair Underwood, Garcelle Beauvais, Jurnee Smollett, Tina Knowles and more

The 31st annual Los Angeles Times Festival of Books takes place April 18–19, 2026, at the University of Southern California (USC). As the nation’s largest free literary event, this year’s indoor and outdoor events include 200+ authors, celebrity panels, book signings, all-ages activities, cooking demos, bilingual programming, and more.

Tina Knowles, author of ‘Matriarch,’ in conversation with Angel Jennings: Los Angeles Times Stage Saturday, April 18@12:50 PM – 1:30 PM

Tina Knowles is a mother, businesswoman, and philanthropist. Since April 2025, she has been a New York Times best-selling author for her #1 book, Matriarch. She raised superstar daughters, Beyoncé, Solange, and bonus daughter Kelly Rowland. Matriarch is her own celebrated story, beginning with a precocious girl from Galveston, Texas. Her philanthropic work includes the non-profit performing arts organization WACO Theater, Tina’s Angels, to mentor at-risk youth in Los Angeles, and her role as Chairwoman of BeyGOOD, a non-profit dedicated to economic equity. She also serves as Vice Chairwoman at Cécred, the haircare line she co-founded with Beyoncé.

Stacey Abrams, author of ‘Coded Justice’ in conversation with Leigh Haber, Bovard Auditorium, Saturday, April 18 @12:30 PM – 1:30 PM

Former Supreme Court clerk Avery Keene is back . . . trying to put the past behind her at a prestigious high-end law firm in Washington, D.C. Head down and focused on a new life, Avery is now working as an internal investigator when a high-profile client seeks her out. At the epicenter of a burgeoning, controversial industry, and with billions of dollars on the line, her task is simple: to determine whether Camasca Enterprises’ technical troubles and rising body count reveal something sinister at work. In Coded Justice, Stacey Abrams’s storytelling prowess is on full display—a deft combination of riveting twists and vibrant characters set against the fascinating landscape of the capabilities of artificial intelligence . . . and the moral boundaries that govern it.

Garcelle Beauvais in conversation with Margaret Hargrove, Los Angeles Times Stage, Saturday, April 18, 5:30 PM – 6:00 PM

Garcelle Beauvais is an award-winning actress, author, and executive producer named one of People magazine’s “50 Most Beautiful.” She stars in and executive produces several original films with Lifetime, including Terry McMillan Presents: Tempted 2 Love, the network’s #1 movie of 2026, and the NAACP Award-winning Black Girl Missing franchise. She also returns to Season 3 of the Netflix series Survival of the Thickest opposite Michelle Buteau. In 2020, Beauvais became the first Black cast member of The Real Housewives of Beverly Hills and is the author of the bestselling memoir Love Me As I Am. Garcelle is also a passionate supporter of UNICEF and CORE, actively raising awareness and funds for Haiti.

Blair Underwood, author of ‘A Soldier’s Wife’ in conversation with Greg Braxton,Los Angeles Times Stage, Sunday, April 19 @10:20 AM – 11:00 AM

Blair Underwood is a Tony and two-time Golden Globe nominee, and an Emmy, Grammy, Peabody, and eight-time NAACP Image Award–winning actor, director, and producer. Underwood has starred in numerous films, television, and stage productions, including Sex and the City, Set It Off, Madea’s Family Reunion, Longlegs, L.A. Law, and Self Made: Inspired by the Life of Madam C. J. Walker. He lives in Salt Lake City, Utah.

Love and Ambition, Betrayal and Rekindling: The Complex Relationships We Navigate, with Jurnee Smollett – Tickets Required, Annenberg Auditorium, Sunday, April 19@1:30 PM – 2:30 PM

Join acclaimed actress Jurnee Smollett as she discusses her starring role in the highly anticipated Audible Original “Between Me And You,” premiering April 16. Based on the novel by New York Times bestselling author Allison Winn Scotch, this 8-episode scripted audio series was created in collaboration with Simpson Street Productions, helmed by founder and Emmy-, SAG- and Golden Globe-nominated actor, director, producer, and activist Kerry Washington and Simpson Street EVP and Academy Award-nominated producer Pilar Savone. Between Me and You explores the unraveling of a marriage between a rising actress and a once-promising screenwriter as they navigate the treacherous waters of ambition, jealousy, and betrayal in Hollywood.

In this intimate conversation, Smollett will delve into the challenges of bringing complex characters to life through audio storytelling, the unique demands of voice acting, and the series’ examination of the “messy, beautiful reality of love.” She’ll discuss what drew her to this project and how the story reflects the universal struggles we face when our personal relationships collide with professional aspirations. Come for an honest exploration of how modern relationships survive—or don’t—under the pressures of success, and discover why this audio series promises to be both heartbreaking and ultimately hopeful.

Lionel Richie in conversation, with Mikael Wood – Tickets Required, Bovard Auditorium, Sun, April 19@2:30 PM

The L.A. Times Festival of Books is thrilled to welcome Lionel Richie for a very special Ideas Exchange event. Join L.A. Times Pop Music Critic Mikael Wood for a behind-the-scenes conversation with the legendary musician about his memoir, “Truly.” Please note that this is not a musical performance. Tickets are available at www.tixr.com.

Get exclusive discounts and first access to panel reservations with a Friend of the Festival package. All outdoor events and activities are free. Visit www.latimes.com/events/festival for more information on this year’s lineup.

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